Ariel Rechtshaid Wikipedia. Ariel Rechtshaid born March 2. American record producer, audio engineer, mixing engineer, multi instrumentalist, and songwriter. His production, songwriting, and mixing credits include Brandon Flowers, HAIM, Vampire Weekend, Madonna, Tobias Jesso Jr., Usher, Adele, Cass Mc. Combs, Solange Knowles, Murs, Sky Ferreira, We Are Scientists, Kylie Minogue, Glasser, Alex Clare, and Major Lazer. Lyrics to Closer song by Rae Morris Far away and feeling sober, I can keep you closer, A static constant in my mind Conscious cards are. Skin is a soft outer covering of an animal, in particular a vertebrate. Skin or skins may also refer to the following. There are many interpretations to the internet for this web marketing or similar terms such as online marketing, internet marketing, emarketing and others. Rechtshaid co wrote and produced Ushers 2. Climax, which won the 2. Usm Psychology Graduate Programs. Grammy Award for Best R B Performance. Rechtshaid was nominated for the 2. Grammy Award for Producer of the Year and won a Grammy for his production on the Vampire Weekend album Modern Vampires of the City. He also produced the Billboard Hot 1. No. 1 charting single Hey There Delilah by the Plain White Ts in 2. Rechtshaid is the former lead singer and guitarist of the skapop punk band The Hippos and the bassist and producer of indie folk rock group Foreign Born. Early lifeeditRechtshaid was born and raised in Los Angeles, California, a first generation American born to Israeli immigrants. He attended Hamilton High School in the Los Angeles Unified School District, where he would form his first band, the Hippos. One of Rechtshaids high school classmates was rapper Murs with whom he would later record and produce. The HipposeditRechtshaid would help form the band in 1. He fronted the band as the singer and guitarist with friends James Bairian on bass, Louis Castle on trumpet, Brandon Bairian on percussion, Roman Fleysher on saxophone, Danny Rukasin on trombone, and Kyle Briggs on drums. They began play shows around southern California, and recorded and self released a cassette demo titled Attack of the Killer Cheese. Shortly after this they were joined by Rich Zahniser on trombone. Despite their proximity to the Orange County ska scene, they found themselves shut out since they were from Los Angeles. Still through perseverance and talent they established themselves among a ska scene including bands such as Reel Big Fish, No Doubt, Dance Hall Crashers, and The Aquabats. The band would go on to release two full length albums on Fueled By RamenVagrant Records and Interscope, as well as a self released third full length consisting of demos produced by Rechtshaid from their later years. Foreign BorneditRechtshaid joined the band as a bassist and producer in Los Angeles in late 2. They self released their first 1. We Had Pleasure bw Escape, followed by their debut EP In the Remote Woods via Star. Time International Records. While touring the US and UK with St. Vincent, Grizzly Bear, Vampire Weekend, Rogue Wave, Jason Collett, Cold War Kids, Giant Drag, and We Are Scientists, they recorded their first full length album, On the Wing Now, in the fallwinter of 2. Dim Mak on August 2. They released their second album, Person to Person, on Secretly Canadian on June 2. Production, writing, and mixingeditRechtshaids production, songwriting, and mixing is found on a wide range of albums and genres. Free nude celebrity pics and videos 18 NSFW. Ariel Rechtshaid born March 23, 1979 is an American record producer, audio engineer, mixing engineer, multiinstrumentalist, and songwriter. His production. He has written with and produced for Madonna, Kylie Minogue, Usher, Blood Orange, Charli XCX, Sky Ferreira, Vampire Weekend, HAIM, Plain White Ts, Cass Mc. Combs, Theophilus London, Glasser, We Are Scientists, Major Lazer, Foreign Born, Valencia, and Murs. He is also a partner in music publishing and production company Heavy Duty. Personal lifeeditDuring the production of Haims second studio album Something to Tell You 2. Rechtshaid was diagnosed with stage Itesticular cancer. DiscographyeditProducer and writer discographyeditYear. Artist. Title. Appearance. HAIMRight NowSomething to Tell YouWant You Back2. AdeleWhen We Were Young2. HAIMCause Im a Man Remixnon album. Music1/v4/ea/2e/56/ea2e56fa-d2f1-3b28-dfa2-1bcb438e9371/825646118694.jpg/1200x630bb.jpg' alt='Rae Morris Unguarded Lyrics' title='Rae Morris Unguarded Lyrics' />Little BootsBetter in the MorningWorking Girl. Anti Detect Patch there. Brandon Flowers. The Desired Effect. Island. 20. 15. Carly Rae JepsenAll That, When I Needed You EMOTIONInterscope. Tobias Jesso Jr. Without You Goon. True Panther Sounds. Rae Morris. Unguarded. Atlantic. 20. 15. MadonnaLiving for Love Rebel Heart. Interscope. 20. 14. Charli XCXDoing It featuring Rita Ora Sucker. Atlantic. 20. 14. BeyoncRing Off BeyoncColumbia. Charli XCXKingdom featuring Simon Le Bon The Hunger Games Mockingjay, Part 1. Republic. 20. 14. Calvin HarrisPray to God featuring HAIM Motion. Columbia, Fly Eye. Rae MorrisDo You Even Know, CloserAtlantic. Kylie MinogueIf Only, Golden Boy Kiss Me Once. Parlophone. 20. 13. Sky Ferreira. Night Time, My Time. Capitol. 20. 13. JaggaBrutal Beauty2. HAIMDays Are Gone. PolydorColumbia. Mikky EkkoKidsRCA2. Vampire Weekend. Modern Vampires of the City. XL2. 01. 3HAIMFalling EPPolydorColumbia. Charli XCXTrue Romance. Atlantic. 20. 13. YADiThe BlowWarner Bros. Records. 20. 13. Snoop Lion. Reincarnated. RCA2. Major LazerYoure No Good, Reach for the Stars Free the Universe. Secretly Canadian. Little BootsSatellite Nocturnes. On Repeat. 20. 13. Solange Knowles. True EPTerrible. No DoubtPush and Shove featuring Busy Signal and Major Lazer Push and Shove. Interscope. 20. 12. Sky FerreiraEverything is EmbarrassingEMI2. Charli XCXYoure The One EPIAMSOUND, Atlantic. UsherClimax Looking 4 Myself. RCA2. 01. 2Justin BieberThought of You Believe. Island. 20. 11. Theophilus LondonWhy Even Try featuring Sara Quin, Stop It Timez Are Weird These Days. Warner Bros. Records, Reprise. Cass Mc. Combs. Wits End. Domino. 20. 11. Blood Orange. Coastal Grooves. Domino. Alex Clare. The Lateness of the Hour. Island. 20. 11. Active Child. You Are All I SeeVagrant. Cass Mc. Combs. Humor Risk. Domino. 20. 10. We Are Scientists. Barbara. PIAS Recordings. Rolo Tomassi. Cosmology. Hassle. 20. 10. Glasser. Ring. True Panther Sounds. Cass Mc. Combs. Catacombs. Domino. 20. 09. Foreign Born. Person to Person. Secretly Canadian. Valencia. We All Need a Reason to Believe. Columbia Records. We Are Scientists. Brain Thrust Mastery. Virgin EMI2. 00. 7Foreign Born. On the Wing Now. Dim Mak. We Are Scientists. Crap Attack. Virgin EMI2. The Blood Arm. Lie Lover Lie. City RockersBecause Music. Plain White Ts. Hey There Delilah. Hollywood Records. Plain White Ts. Every Second Counts. Hollywood Records. We Are Scientists. With Love and Squalor. Virgin EMI2. 00. 5Plain White Ts. All That We Needed. Fearless. 20. 05. Foreign Born. In the Remote Woods. Star. Time International. Solea. Solea. Textbook Music. Murs. The End of the Beginning. Definitive Jux. 20. Armor for Sleep. Dream to Make Believe. Equal Vision. With The HipposeditWith Foreign Bornedit2. June Person to Person, Secretly Canadian LP2. August On the Wing Now, Dim Mak LP2. June In the Remote Woods, Star. Time International Records EPReferenceseditExternal linksedit. Album Review Jay Zs 4 4. Variety. By just about every measure, 4. Shawn Carters past decade has been victorious Hes evolved from a performer and upstart entrepreneur into a legitimate business mogul, befriended presidents, and just recently welcomed his second and third children with a wife whose accomplishments have come to match if not surpass his own. Gantt Chart Designer. But Jay Z, his once impervious musical alter ego, increasingly seemed to lag a few steps behind. Obsessed with his own legacy but unwilling to really examine what that legacy meant politically inclined but rarely politically coherent and growing further out of sync with a rapidly changing hip hop market, Jay appeared to have exhausted his bag of tricks years ago. So perhaps the biggest surprise to be found on 4 4. Friday on Tidal, is that it seems Jay Z had gotten just as tired of Jay Zs crap as anyone else. Abandoning his trend hopping tendencies, delving into matters of race and politics with newfound clarity, and turning a pitiless eye on his own failures rather than simply rehashing his accomplishments, Jays 1. Mt. Rushmore. By puncturing his own jealously guarded myth, hes finally found a way to move forward he had to kill Jay Z in order to save him. The albums targets range from the deserving Bill Cosby to the left field Eric Benet to the sure to be Twitter fodder for weeks Kanye West. But Jay pins the biggest bullseye on his own back. On the self lacerating opener Kill Jay Z, he wastes no time dredging up three of the ugliest incidents from his own biography Shooting his older brother in the shoulder at age 1. Lance Un Rivera in a nightclub in 1. Beyonce alluded to them on last years Lemonade. Of those first two incidents, Jay was scarcely even forthcoming in his own memoir. Here, he lays it all on the line with arresting candor Crazy how life works You got a knot in your chest Imagine how a knife hurts, he raps of the Un attack. The man who once pleaded guilty to a third degree assault charge and then immediately turned not guilty into a Top 1. Of course, for all his exasperating bluster, Jay has always made room for moments of genuine introspection the ghoulish self reckoning of DEvils, the bitter sarcasm of You Must Love Me but never has he allowed himself to stand so nakedly unguarded. Sure to attract the most media interest here is the title track, where Jay offers confession after confession to his spurned spouse, sounding genuinely broken. Repeating I apologize seven times and sometimes abandoning rhyme entirely, his voice flattens into a low murmur as he takes stock of his own faithlessness and latent misogyny. On the knife twisting final verse, he ponders someday having to explain his betrayals to his daughter My heart breaks for the day I have to explain my mistakes And the mask goes away and Santa Claus is fake. As much as the album serves as a long mea culpa, Jay is frequently able to make the personal political. Unlike Kendrick Lamars DAMN., he refrains from referencing President Trump directly, but the album is suffused with a sense of sudden sobriety Whereas 2. Watch the Throne was Jays sometimes shallow attempt to equate his own material success with the optimism of the Obama era, 4 4. On Smile, he warmly discusses his mothers long secret homosexuality Had to hide in the closet, so she medicate Societys shame and the pain was too much to take and leaves her to read a lovely bit of verse on the outro. Family Feud offers a plea to patronize black businesses, and Story of O. J. is an intriguingly nuanced combination of post Reconstruction history lesson and fiscal responsibility seminar. You know whats more important than throwing money in the strip club Credit. Jay knows he sounds like your dad here, but he seems fine with that. Besides, your dad was right. And yet 4 4. 4 also sees Jay at his funniest. Hes still too self mythologizing to let an album pass without mentioning he did it all without a pen, but hes self aware enough to add, yall knew that was coming Had to remind you again. Moonlight provides the La La Land diss that hip hop never knew it was missing. Yall flirting with death, I be winking through the scope is a half smirked Jay Z threat of classic vintage. And glorified seat filler Stop walking round like you made Thriller functions as a great battle rhyme made all the better for having no explicit target. Clocking in at a brisk 3. Illmatic minted 1. Chicago studio wizard No I. D. recently named an EVP at Capitol Music Group, who brings a sonic and thematic consistency to the album unseen since Jays earliest work with a young Kanye. Frank Ocean, Damian Marley, and an uncredited Beyonce are given enough room to distinguish themselves, but superfluous cameos are as scarce as bandwagoning beats. Theres little here that sounds like itll be heard booming out of clubs a year from now, though the coffee shop quiet storm aura exerts an undeniable pull. Sometimes the samples tell their own story On O. J., I. D. chops Nina Simones Four Women into a kaleidoscope of pitch shifted fragments that convey just as much meaning as Jays lyrics. Perhaps most importantly, Jay raps like a man once again comfortable in his own skin. Whereas his dismal last efforts The Blueprint 3 and Magna Carta Holy Grail saw the rapper weighted down and prematurely aged by flop sweat attempts to subsume hip hops newer flows and styles, here he floats above the fray with a liberated lightness, his slightly messy lines spilling freely past the margins. Hell likely never regain the chip shouldered sharpness of the twenty something who tossed off rhymes like Youre never ready, forever petty minds stay petty Mines thinking longevity till Im 7. Mother Goose, but his looser, scrappier late period style has eased into a comfortable groove. You got a daughter, gotta get softer, he tells himself as the album opens, and for him, softness might just be the final frontier. Theres still no real gold standard model for chasing relevance as a middle aged rapper, but by finally opting out of the race, Jay Z could well have drawn up a new blueprint.